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Gran Torino (2008)
 
© Warner Bros. Pictures (2008)
SFC Reviewer's Opinion:
Limited Recommendation

Genre
Crime / Drama
   
Synopsis

Walt Kowalski is a widower, grumpy, tough–minded, borderline–hateful, unhappy old man who can‘t get along with either his kids or his neighbors, a Korean War veteran whose prize possession is a 1973 Gran Torino he keeps in cherry condition. When his neighbor Tao, a young Hmong teenager, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Tao‘s family, Kowalski is soon taking steps to protect them form the gangs that foul their neighborhood.

   
Directed by  
Clint Eastwood
   
Written by  
Nick Schenk (screenplay); Dave Johannson (story); Nick Schenk (story).
   
Starring  
Clint Eastwood (Walt Kowalski); Christopher Carley (Father Janovich); Bee Vang (Thao Vang Lor); Ahney Her (Sue Lor); Brian Haley (Mitch Kowalski); Geraldine Hughes (Karen Kowalski); Dreama Walker (Ashley Kowalski); Brian Howe (Steve Kowalski); John Carroll Lynch (Barber Martin); William Hill (Tim Kennedy); Brooke Chia Thao (Vu); Chee Thao (Grandma); Choua Kue (Youa); Scott Eastwood (Trey (as Scott Reeves)); Xia Soua Chang (Kor Khue). Please contact SFC to add other cast members and characters.
 

Length (mins):
116
Ratings:
R (15)
Language:
ENG/HMONG

Big 5 Oscar Wins:
--
Big 5 Oscar Noms:
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IMDB page:
Link

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Important: the following essays and comments are authored by Soul Food Cinema readers. Whilst the Editor prays for the spiritual integrity of all content of this site, it should be noted that these represent personal opinions and carry no official endorsement. If you consider any content to be a misrepresentation of Catholic teaching, please contact SFC. May God bless you and enlighten you in your reading.
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Readers' Comments and Opinions
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Click the link to comment on this film. You may like to copy the film title and year (as given above) to your clipboard now for pasting into the following form.
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  Sends out the Wrong Messages  
  Mark Banks (United Kingdom)  
  Opinion: Limited Recommendation  

Gran Torino is a mixed bag of a film. On the one hand the film is good at sending out a message that gang culture is not a good thing - and for this to be aimed at the Hmong community in a mainstream Hollywood film is probably something of a rarity; yet all ethnic groups do indeed need to be reminded of this. Walt's behaviour in socialising with his Hmong neighbours is in contradiction to his constant use of racial slurs - implying that the latter is more superficial than deep-seated and actually belies his natural inclinations; and so that also is a good thing. And there are also strong pro-family messages in the film, both implicitly with Walt taking Thao under his wing as a kind of surrogate father, and more explicitly through the behaviour of Walt's son (who tries to get his father packed away to a retirement home) being portrayed in a clearly negative light. This latter point could also be seen to be anti-segregation; in effect applauding Walt's decision to stay in his neighbourhood.

Against this, along with said continual use of racial slurs there is also a barrage of rough language - all played off for unoriginal and juvenile laughs a la 'Falling Down'. At one point Sue (top left in the six photos above) is also portrayed in a 'cool' light for holding her own against a group of thugs through her own use of crude language. The biggest issue I take with the film though is the overall message that peace can only be obtained through bloodshed and prison sentences - whereas this is not the case. To send people to prison in itself is no long-term solution and doesn't as Walt says in the film "put an end to things". Prison is often just a perpetuation of a cycle of violence and sin and offers no real freedom to people - a freedom that can only be found through forgiveness and the acceptance of Jesus Christ into one's life. And it's on the back of that message that I take some issue with the portrayal of the Catholic priest in this film. On the plus side it was good to see a priest character in a Hollywood film, and a young one at that. And this faith dimension was also a good reminder to people that the sacrament of reconciliation (confession) is still alive and available in the Catholic Church. However, overall Fr Janovich's attitude was in-synch with the culture of death as asserted to through the overall message spelt out above. Fr Janovich even went so far as to say that Walt had taught him something through his actions. Yet this isn't what society needs - society needs to know that it's prayer, fasting, the sacraments and the Word of God that we turn to defeat evil - not needless self sacrifice. And so in this respect the priest's character came across as rather weak to me - though again this was mixed a message as at least he was in the situation trying to help resolve things in the first place.

On the way home from watching this film I couldn't help but think how good it would be to make an updated version of 'The Cross and the Switchblade' or even an adaptation of Catholic evangelist John Pridmore's book 'From Gang Land to Promised Land' - offering young people; both gang members and non-gang members alike, a real chance of true freedom and peace.

One further afterthought: there was a point in Gran Torino when Walt says that what disturbed him most about his war activities was not what he was asked to do, but what he was not asked to do. This is implicit ackowledgement that evil manifests itself equally, if not more so, in the form of doing nothing with regard to a particular evil situation, as it does in the form the actual evil situation/action itself: a point rarely ackowledged.

 


 

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Soul Food Cinema - Movie/Film Reviews and Discussion from the World's Catholic-Christian Community
Images in the header are from: Antwone Fisher (© Fox Searchlight, 2002); Stand by Me (© Columbia Pictures, 1986); Jesus of Nazareth (© ITV (1977); The Passion of The Christ (© Newmarket Films, 2004); Rabbit-proof Fence (© Buena Vista, 2002); Amazing Grace (© Bristol Bay Productions, 2006) and Il Postino (© Cecchi Gori Group, 1994).